Public reenactment of a speech given by Paul Potter, former President of the Students for a Democratic Society (SDS), at the April 17, 1965 March on Washington. Potter offers an insightful critique of our government’s use of the rhetoric of freedom to justify war, and calls for citizens of the United States to create a massive social movement to build a “democratic and humane society in which Vietnams are unthinkable.” Max Bunzel delivered the speech on the National Mall on July 26, 2007.
“Most of the college-age spectators gathered there in a clutch were fully aware that they were witnessing art, but by the end they also seemed not to be simply playing along but to be engaged by Mr. Potter’s arguments.”
- Randy Kennedy, The New York Times, July 2007
Quotes from speech:
"We must name that system. We must name it, describe it, analyze it, understand it and change it. For it is only when that system is changed and brought under control that there can be any hope for stopping the forces that create a war in Vietnam today or a murder in the South tomorrow or all the incalculable, innumerable more subtle atrocities that are worked on people all over all the time."
"How do you stop a war then? If the war has its roots deep in the institutions of American society, how do you stop it? Do you march to Washington? Is that enough? Who will hear us? How can you make the decision makers hear us, insulated as they are, if they cannot hear the screams of a little girl burnt by napalm?"
July 26, 2007
National Mall, Washington, D.C.
In the press
Hyperallergic: "A video projection focused on a single woodland scene for 24 hours shows undulating patterns of light formed by shadows of the trees. A leaf meanders its way to the ground; an insect buzzes by. A small pool of water shimmers and trickles, but not much else happens. When we come upon a scene like this in nature, we might stop for a photo, perhaps force ourselves to meditate for a moment, searching for peace and a spiritual connection, before quickly moving on. Mark Tribe’s “Balsam Lake Mountain Wild Forest, Ulster County, New York,” from the series New Nature (2016–17), allows us to linger more than we might in the wild, where fellow hikers, inclement weather, or mosquitoes compel us to be on our way. It allows us to enjoy the scene. According to a wall text accompanying this piece, we are more likely to experience nature on a digital screen than in an immersive setting. “In an age of virtual reality and inescapable human impact, is nature as real as it used to be?” asks Tribe. “And how could we use technologies of simulation (including relatively straightforward ones, like video) to preserve the experience of a vanishing wilderness?” By providing a voyeuristic view, the artist awakens us to a primal urge to get outside, to smell the moss, to feel the ferns and rocks, to listen to the water." Ilene Dube, "Artists Urge Us to Get Outside and Smell the Moss"